Thursday, April 22, 2010

100423-25_MF_Workshop@PennState


PENN STATE (PA)| RHINOSCRIPT WORKSHOP | APRIL 23-25th, 2010
Marc Fornes will be teaching a three days Rhinoscript workshop at Penn State: Stuckeman School of Architecture & Landscape Architecture
(Invitation: David Celento)

Note: the workshop will be followied in the next two weeks by the production and assembly of a new prototypic structure / installation...
more to come...

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Wednesday, February 10, 2010

100212-0428_THEVERYMANY @ Guggenheim, NYC



GUGGENHEIM | NEW YORK, NY | Contemplating the Void
Fev 12th to April 28th 2010
THEVERYMANY has been invited to exhibit at the Guggenheim Museum, New York as part of the show CONTEMPLATING THE VOID - the exhibition will display a vision from the void of the museum from 300 artists and architects.
(invitation: David van der Leer, Assistant Curator Architecture & Design Guggenheim Museum, New York)



CONTEMPLATING THE VOID
February 12–April 28, 2010

Since its opening in 1959, the Frank Lloyd Wright–designed Guggenheim building has served as an inspiration for invention, challenging artists and architects to react to its eccentric, organic design. The central void of the rotunda has elicited many unique responses over the years, which have been manifested in both site-specific solo shows and memorable exhibition designs. For the building’s 50th anniversary, the Guggenheim Museum invited more than two hundred artists, architects, and designers to imagine their dream interventions in the space for the exhibition Contemplating the Void: Interventions in the Guggenheim Museum. Organized by Nancy Spector, Chief Curator, and David van der Leer, Assistant Curator for Architecture and Design, the exhibition will feature renderings of these visionary projects in a salon-style installation that will emphasize the rich and diverse range of the proposals received. Contemplating the Void: Interventions in the Guggenheim Museum will be on view at the Solomon R. Guggenheim Museum from February 12 to April 28, 2010.

Aristotle famously pronounced that nature abhors a vacuum, an idea that still resonates in art today. In designing the Guggenheim Museum, Wright flaunted the notion of the void, leaving the center tantalizingly (or threateningly) empty. Over the years, when creating site-specific installations or exhibition designs for the building, artists and architects have imbued the space with their presences, inspiring unforgettable works by Matthew Barney, Cai Guo- Qiang, Frank Gehry, Jenny Holzer, and Nam June Paik, among others. For the building’s 50th anniversary, the Guggenheim invited scores of artists to leave practicality or even reality behind in conjuring their proposals for the space. In this exhibition of ideal projects, certain themes emerge, including the return to nature in its primordial state, the desire to climb the building, the interplay of light and space, the interest in diaphanous effects as a counterpoint to the concrete structure, and the impact of sound on the environment. Conceived as both a commemoration and a self-reflexive folly, Contemplating the Void confirms how truly catalytic the architecture of the Guggenheim can be.

Submissions were received from all over the world from a wide range of artists, designers, and architects, including emerging as well as established practitioners. Among the many works in the exhibition are projects by artists Alice Aycock, FAKE DESIGN (Ai Weiwei), Anish Kapoor, Sarah Morris, Wangechi Mutu, Mike Nelson, Paul Pfeiffer, Doris Salcedo, Lawrence Weiner, and Rachel Whiteread; designers such as Fernando and Humberto Campana, Martí Guixé, Joris Laarman Studio, and Studio Job; and architects such as Álvaro Siza Vieira Arquitecto, BIG (Bjarke Ingels Group), Greg Lynn FORM, junya.ishigami+associates, MVRDV, N55, Philippe Rahm, Snøhetta, Studio Daniel Libeskind, Toyo Ito & Associates, Architects, and West 8. In addition to the exhibition in the Thannhauser and Annex Level 4 galleries, Contemplating the Void will be accompanied by a comprehensive exhibition Web site, which will document each submission and feature introductory essays texts by Nancy Spector and David van der Leer.

The Leadership Committee for Contemplating the Void: Interventions in the Guggenheim Museum is gratefully acknowledged.

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Sunday, January 31, 2010

100205_Rhinoscript-Workshop @TexFab


TEXFAB (ARLINGTON, TX) | RHINOSCRIPT WORKSHOP | February 05th, 2010
Marc Fornes will be teaching a two sessions Rhinoscript workshop at the University of Arlington, Texas.
(Invitation: Kevin Patrick McClellan)

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Thursday, January 28, 2010

100127-29_Rhinoscript-Workshop_@TexasTech


LUBBOCK (TEXAS) | RHINOSCRIPT WORKSHOP | January 27-29th, 2010
Marc Fornes will be teaching a three days Rhinoscript workshop at the College of Architecture, Texas Tech University.
(Invitation: Christian R. Pongratz)

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Wednesday, December 09, 2009

090907_@Galerie Roger Tator (Lyon) (3)





LYON (FRANCE)| nEdg| Galerie Roger Tator | 090907
THEVERYMANY (Marc Fornes, Skylar Tibbits, Mathew Staudt, Jared Laucks)
(invited as part of "parcours raisonance" of the Lyon Art Biennale)
14 September - 27 November (extended...)

"n|Edg" as the sum of its parts:
2 compound surfaces
2796 individual surfaces (from 3 to n edges)
5375 holes

n|Edg” assembly is written within continuous series of investigations at different scale:

- the overall: development of protocols of surface relaxation - in order for the surface to generate best fit curvature in response to fix hanging or support points (floor, ceiling, walls) as curvature - despite generating apparent complexity - also provides natural structural stiffness.

- surface description (or sampling): re-understanding the resultant surface as series of points - which densities are relative to the degree of curvature – the more curvature the more points and eventually parts.

- surface reconstruction (or tessellation): previous work focused on describing complex surfaces with flat components – after working for different “high end” architectural and design practices - the only way to keep pushing non standard environments is to introduce the economy of parts as part of the equation – therefore early tests were first looking at ways to triangulate complex surfaces – and therefore strategize on panels cut within flat sheets of material – which very quickly evolved toward what is now the trendy “arrays of quads” components paradigm. “n|Edg” is now investigating the reconstruction of a surface with polygonal parts going from three edges to (n) number of edges.

- informed customization: each part is similar though not identical – its change of size and proportion is therefore allows to describe different radius of curvature – but also local re-reading of orientation is driving the length and width of branches – the flatter, the wider in order to provide more surface alike coverage.


top surface reconstruction

bottom surface reconstruction

pattern extract

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Tuesday, September 22, 2009

090906_TVM @ Elga Wimmer Gallery (NYC) (3)


NEW YORK | MODOID | Elga Wimmer Gallery

by THEVERYMANY
Marc Fornes, Skylar Tibbits, Mat Staudt,
Jared Laucks, Brandon Kruysman, Jon Proto,...




While on its way...



What that one is finally about...


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Friday, September 11, 2009

090906_TVM @ Elga Wimmer Gallery (NYC) (2)




NEW YORK | MODOID | Elga Wimmer Gallery

(pictures while assembling)

by THEVERYMANY
Marc Fornes, Skylar Tibbits, Mat Staudt,
Jared Laucks, Brandon Kruysman, Jon Proto,...

MODOID is part "OVERLAP"
"Extending beyond edges and boundaries in art & architecture"
August 27 - September 19, 2009 (Tuesday - Saturday noon-6:00pm)

Curated and produced by Kelsey Harrington & Christine Yogiaman

www.theoverlap.info

Elga Wimmer Gallery
526 West 26th St, # 310 NY NY 10001
t. 212 206 0006 c.401 316 4303

MORE TO COME...

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Sunday, September 06, 2009

090906_TVM @ Gallery Roger Tator (France)



n|Edg | Gallery Roger Tator | Lyon (France) | September 2009
THEVERYMANY | Marc Fornes, Skylar Tibbits, Mathew Staudt
Opening: Monday, September 14th

IMAGES TO COME AFTER OPENING...

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090906_TVM @ Elga Wimmer Gallery (NYC)


NEW YORK | OVERLAP | Elga Wimmer Gallery
August 27 - September 19, 2009 (Tuesday - Saturday noon-6:00pm)
Reception: Wednesday September 9th 6:00-9:00pm

THEVERYMANY | Marc Fornes, Skylar Tibbits, Mathew Staudt, Jared Laucks, Brandon Kruysman, Jon Proto

THEVERYMANY has been invited by Kelsey Harrington & Christine Yogiaman to produced not so much a piece/installation than encourage to try/test/experiment... the focus this time was not so much on a procedural level neither on a geometrical level - but rather on testing a material technique...

As pretentious as it can sound - research even in design is "somehow" like solving the Cancer - one has to focus on tiny steps - though still keeping in mind the larger picture...

MODOID - is one of those tiny steps - though still within THEVERYMANY usual agenda of procedural, large scale, short timing and low budget experimental framework...
the first of new series - so operative failures to be expected...
though come and see...

IMAGES TO COME AFTER RECEPTION...

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Saturday, July 18, 2009

090717_at_BRIDGE GALLERY (NYC)


Echinoids | THEVERYMANY | Bridge Gallery | 2009 | nyc


"-oid" is derived from the Latin suffix -oides taken from Greek and meaning "having the likeness of". Thus it is a suffix much used in the sciences and mathematics to indicate a "similarity, not necessarily exact, to something else".
Thus Rhomboid means "like a rhombus". Because -oid denotes similarity, not necessarily exact, but can also denote exactness, in chemistry the suffix refers to a very large class of related compounds, natural and/or synthetic. Examples include steroid (of which sterols are just one smaller group) and alkaloid.
(ie wikipedia)


From many parts...
Long. 13.5ft - Larg. 5ft - Height 7.5ft
530 modules
25 Sheets (4*8") Walnut veneer (800 Sft) + olive oil
1600 of Elastic bras straps (Brown, Black, Navy Blue)
4500 screws

To logistic of parts...
Lacing time: 1/2h/module - 40 modules/day!

"RUSTIC COMPUTATION"...


THEVERYMANY | Marc Fornes, Skylar Tibbits, Mat Staudt

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Monday, July 06, 2009

090706_at_BRIDGE GALLERY (NYC)


Once more many parts...

THEVERYMANY @ BRIDGE GALLERY (NYC)
98 Ochard Street New York NY 10002
Opening: Thursday July 9th
(as part of the collective show "Wild child" curated by Peter Macapia)



It is all about "rustic computation"...


Full credits shared with the MANY who made this installation possible...
Also many thanks to PRATT INSTITUTE and our friends at ANYLINE NYC for the laser cutting...

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Saturday, April 19, 2008

080406_APERIODIC VERTEBRAE v2.0.2



Finally back from several events and wanderings all over the place (Paris, New York, Frankfurt, Strasbourg, Barcelona,...) - here is a first update on the prototype THEVERYMANY produced for Node08 / Frankfurt.

Its assembly has this time been a success (and hughe improvement since v1.0) as it took less than 24 hours & 2 people & 2 laptops to (re-)assemble the 360 panels and 320 nodes...

Once more demonstrating us "one better spend its time within development embedding assembly logic rather than waiting the material world to solve the fuzzines..."

(I will update the "information modeling" improvements on the previous post more focused on the digital back bone approach of the piece...)




"Aperiodic Vertebrae v2.0"
THEVERYMANY (project team: Marc Fornes / Skylar Tibbits)
NODE08 (www.node08.vvvv.org)
April 5th - 12th, Frankfurt / Germany

Many thanks to Eno Henze (http://www.enohenze.de/) & the entire VVVV team (http://vvvv.org) for their invitation & sponsorship

Also many more thanks to our sponsors for the piece:

- Quadrant EPP USA, Inc. (www.quadrantepp.com) > provided us sheets of polyethylene (3/16″ thick)

- Continental Signs (www.continentalsigns.net) and Jared Laucks > CNC cut of the panels

- Dick Dunlop > laser cut of the 320 unique connections (3/16″ acryclic)

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Sunday, April 06, 2008

080406_APERIODIC VERTEBRAE v2.0



"Aperiodic Vertebrae v2.0"
THEVERYMANY
(project team: Marc Fornes / Skylar Tibbits)
NODE08 (www.node08.vvvv.org)
April 5th - 12th, Frankfurt / Germany

Many thanks to Eno Henze (http://www.enohenze.de/) & the entire VVVV team (http://vvvv.org/) for their invitation & sponsorship


TEMPLATES FOR FABRICATION:
Like the form finding, all the panels, connections pieces and "helpers" coded strings engraved have all been 100% the result of a performative explicit protocol entirely coded in vb...
That part - even though presented down the row as a formal exercice / sculpture - has always been though from scratch as performative test / prototypical methodologie/process to convince further consulting work...








Here are the templates for CNC milling of the panels; 12 unique shapes only are much easier to nest (simple arrays) than all custom pieces...
Many thanks to Quadrant EPP USA, Inc. (http://www.quadrantepp.com/) for providing the 7 sheets of polyethylene required (3/16″ thick)
Many thanks to Continental Signs (http://www.continentalsigns.net/) and Jared Laucks for the CNC cut of those panels






Here are 5 (out of 7) templates for the connections to be laser cut on acrylic sheets (3/16″ thick) - total of 320 unique pieces
Many thanks to Dick Dunlop for the access to the laser cutter (3/16″ acryclic)

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